JF Cantin : Différence entre versions
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| − | nom= | + | |abstract=Jean-François Cantin's is among the first generation of Canadian artist to be involved in video installation and performance. Cantin's video installations and public space’s interventions question the exhibition site as a place where ideas are produced, presented, and perceived. Cantin's productions synthesize natural effects of light and technological-produced imagery in such a way they become poetic phenomena that cause us to question our perceptual relation to space and time. Cantin’s has exhibited in Canada and abroad, among others : the Museum of Contemporary Arts of Montreal, the Museum of Holography of New York, the Museum of Fine Arts of Clermont-Ferrand. He also has realized numerous permanent installations in public spaces : the Montreal Congress Hall, the Mc Gill University of Montreal, and the Theater of the National Monument of Montreal. |
| − | abstract= | + | |cantin’s_lives_and_works_in_the_city_of_montreal,_in_the_canadian_french_province_of_quebec.=Cantin’s lives and works in the city of Montreal, in the Canadian French province of Québec. |
| − | cantin’s_lives_and_works_in_the_city_of_montreal,_in_the_canadian_french_province_of_quebec.= | + | |______cantin_describes_his_work_as_organic-technology_;_devices_which_integrate_high_technology_(video_display,_robotic)_with_low_technology_(natural_physical_and_optical_phenomenon)._he_is_also_gifted_with_a_unique_perspective_and_insight_on_the_brief_history_of_computer_art,_and_its_filiations_with_the_history_of_fine_art_in_general= Cantin describes his work as organic-technology ; devices which integrate high technology (video display, robotic) with low technology (natural physical and optical phenomenon). He is also gifted with a unique perspective and insight on the brief history of computer art, and its filiations with the history of fine art in general |
| − | ______cantin_describes_his_work_as_organic-technology_;_devices_which_integrate_high_technology_(video_display,_robotic)_with_low_technology_(natural_physical_and_optical_phenomenon)._he_is_also_gifted_with_a_unique_perspective_and_insight_on_the_brief_history_of_computer_art,_and_its_filiations_with_the_history_of_fine_art_in_general= | + | |-thomas_charveriat,_artistic_director_island6_art_center,_shanghai,_hong_kong,_china.=-Thomas Charveriat, artistic director Island6 Art Center, Shanghai, Hong Kong, China. |
| − | -thomas_charveriat,_artistic_director_island6_art_center,_shanghai,_hong_kong,_china.= | + | |birthplace=Montreal |
| − | birthplace= | + | |dateofbirth=12 mars 1958 |
| − | dateofbirth= | + | |nationality=Canadian |
| − | nationality= | + | |movement=Perceptuel |
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| − | thumbnail= | + | |societe_gestion_droit_auteur=Non |
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Version actuelle en date du 6 décembre 2019 à 18:11
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| Nom | Cantin |
|---|---|
| Prénom | JF |
| Résumé | Jean-François Cantin's is among the first generation of Canadian artist to be involved in video installation and performance. Cantin's video installations and public space’s interventions question the exhibition site as a place where ideas are produced, presented, and perceived. Cantin's productions synthesize natural effects of light and technological-produced imagery in such a way they become poetic phenomena that cause us to question our perceptual relation to space and time. Cantin’s has exhibited in Canada and abroad, among others : the Museum of Contemporary Arts of Montreal, the Museum of Holography of New York, the Museum of Fine Arts of Clermont-Ferrand. He also has realized numerous permanent installations in public spaces : the Montreal Congress Hall, the Mc Gill University of Montreal, and the Theater of the National Monument of Montreal. |
| Date de naissance | 12 mars 1958 |
| Lieu de naissance | Montreal |
| Pays de nationalité | Canadian |
| Mouvement | Perceptuel |
| Société de gestion des droits d'auteur | Non |
